Company

An article about Elizabeth Broeder

Elizabeth Broeder

Elizabeth Broeder is so honored to be a part of this story! This is her second acting project with iTheatre Collaborative. In January she was a part of the Hostage cast as Masoumeh. She has been an artistic associate with iTheatre Collaborative for three seasons and is completely in love with the scripts/themes iTheatre explores. She is currently an actor in Southwest Shakespeare Company's educational tour, SWIFT and a choreographer/resident artist for GreasePaint Youtheatre. Recent stage credits include Brooke in Stage Left Production's Other Desert Cities, Rachel in Theatre Artist Studio’s Inherit The Wind, and Jordan in Stage Left Production's The Great Gatsby (for which she won a Broadway World Award for Best Actress in a Non-Professional Play.) She sends so much gratitude to Rosie, Chris and Rapheal. She sends all her love to mom, dad, Sarah, Jake, John and Charles. @el_lostboi

Credits

Productions

Hostage

Based on the true events of 1979 when students in Tehran took over the American Embassy. The mother of the youngest hostage, a 19 year-old Marine, flew to Tehran in the hope of being allowed to see her son. The play imagines what happened when mother and son were reunited, and the consequences the mother faced when she returned home and was suddenly suspect in her own country. Never doubt the ferocity of a mother’s love.

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Actually

Arizona premiere. Amber and Tom, finding their way as freshmen at Princeton, spend a night together that alters the course of their lives. They agree on the drinking, they agree on the attraction, but consent is foggy, and if unspoken, can it be called consent? With lyricism and wit, "Actually" investigates gender and race politics, our crippling desire to fit in, and the three sides to every story.

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Credits

Production Team

Permanent Collection

Soon after African-American businessman Sterling North becomes the new director of the Morris Foundation, he discovers that this world-famous art collection includes several significant African sculptures tucked away in storage. His proposal to add them to the public galleries is opposed by the foundation's long-time education director, who is loyal to the idiosyncratic wishes of the late Dr. Morris. Spurred on by a zealous local journalist, this clash quickly escalates to public accusations of racism and a bitter struggle for control of the collection. “Permanent Collection” is a searing examination of racial politics that ultimately asks how much space -- literally and figuratively -- the white world gives to African-Americans. What is the cost of failing to view the world through another's eyes?

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The Effect

Hearts racing. Minds reeling. Knees buckling. Connie and Tristan have palpable chemistry—or is it a side effect of a new antidepressant? They are volunteers in a clinical trial, but their sudden and illicit romance forces the supervising doctors to face off over the ethical consequences of their work. The Effect takes on our pill-popping culture with humor and scintillating drama.

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White Guy on the Bus

A shocking and excoriating new play that unravels a complex web of moral ambiguity, class conflict, and the racial divide in America. A wealthy white businessman and a struggling black single mom ride the same bus week after week. The question is why he rides the bus and what does he want from her? The answers, like race, are not so easy.

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The Trial of the Catonsville Nine

Fifty years ago nine people, including two Catholic priests, entered the Selective Service office in Catonsville, MD and removed 378 draft cards and burned them in the parking lot with homemade napalm to protest the war in Vietnam. Based on the trial transcripts, the play delves into the moral and religious motives of the nine, and why "the burning of paper not children."

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