Company
Elizabeth Broeder
Elizabeth is so happy to be working with iTheatre Collaborative this season. She is an interdisciplinary artist who has been artistic associate with iTheatre since 2017. Her recent iTheatre productions include Kunstler (sound design), Frost/Nixon (stage management/sound design) and Actually (acting/sound design). She is a Core Member of Southwest Shakespeare Company and a dance instructor/choreographer with Phoenix Country Day School and Prima Dance Arizona. She sends all of her love and gratitude to dad, mom, Sarah, Charles, Chris & Rosie, John, Johnny and Jake.
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Credits
Productions
Hostage
Based on the true events of 1979 when students in Tehran took over the American Embassy. The mother of the youngest hostage, a 19 year-old Marine, flew to Tehran in the hope of being allowed to see her son. The play imagines what happened when mother and son were reunited, and the consequences the mother faced when she returned home and was suddenly suspect in her own country. Never doubt the ferocity of a mother’s love.
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Actually
Arizona premiere. Amber and Tom, finding their way as freshmen at Princeton, spend a night together that alters the course of their lives. They agree on the drinking, they agree on the attraction, but consent is foggy, and if unspoken, can it be called consent? With lyricism and wit, "Actually" investigates gender and race politics, our crippling desire to fit in, and the three sides to every story.
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Production Team
Permanent Collection
Soon after African-American businessman Sterling North becomes the new director of the Morris Foundation, he discovers that this world-famous art collection includes several significant African sculptures tucked away in storage. His proposal to add them to the public galleries is opposed by the foundation's long-time education director, who is loyal to the idiosyncratic wishes of the late Dr. Morris. Spurred on by a zealous local journalist, this clash quickly escalates to public accusations of racism and a bitter struggle for control of the collection. “Permanent Collection” is a searing examination of racial politics that ultimately asks how much space -- literally and figuratively -- the white world gives to African-Americans. What is the cost of failing to view the world through another's eyes?
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The Effect
Hearts racing. Minds reeling. Knees buckling. Connie and Tristan have palpable chemistry—or is it a side effect of a new antidepressant? They are volunteers in a clinical trial, but their sudden and illicit romance forces the supervising doctors to face off over the ethical consequences of their work. The Effect takes on our pill-popping culture with humor and scintillating drama.
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White Guy on the Bus
A shocking and excoriating new play that unravels a complex web of moral ambiguity, class conflict, and the racial divide in America. A wealthy white businessman and a struggling black single mom ride the same bus week after week. The question is why he rides the bus and what does he want from her? The answers, like race, are not so easy.
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The Trial of the Catonsville Nine
Fifty years ago nine people, including two Catholic priests, entered the Selective Service office in Catonsville, MD and removed 378 draft cards and burned them in the parking lot with homemade napalm to protest the war in Vietnam. Based on the trial transcripts, the play delves into the moral and religious motives of the nine, and why "the burning of paper not children."
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Kunstler
Arizona premiere. Famous for defending the Chicago Seven, the Catonsville Nine, and his involvement at Attica and Wounded Knee, the radical attorney and civil rights activist William Kunstler had an outsize personality and a tremendous appetite for life. In this two-character play, tensions flare when he arrives on a college campus to give a seminar. The brilliant young law student assigned to introduce him objects to his appearance on campus and is determined to confront him. Has Kunstler finally met his match?
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