2016-2017 Season

Veronica's Room: Oct. 14-29, 2016

“Veronica's Room”

By Ira Levin

October 14, 2016 - October 29, 2016
Oct. 14, 15, 20, 21, 22, 27, 28, 29 and 8 pm Oct. 16, 23 at 2 pm


Premiered October 2016
Presented by iTheatre Collaborative

From the author of Rosemary’s Baby comes an harrowing labyrinth of suspense, entwining fantasy and reality. The story begins in 1973; Susan and her boyfriend, Larry have been enticed to the Brabissant mansion by the Mackeys, a charming, elderly Irish couple who are struck by Susan’s strong resemblance to Veronica, the long-dead daughter of the family for whom they work. Veronica’s room has been untouched by time and has been left exactly as it was in 1935. The mystery deepens as twist after twist unravels the frail threads of reality. Is it 1973 or 1935? Will Susan ever leave Veronica’s room? 

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Cast (Alphabetically)

Playwright

Ira Levin

Ira graduated from the Horace Mann School and New York University, where he majored in philosophy and English. His first novel, A Kiss Before Dying, was well received, earning him the 1954 Edgar Award for Best First Novel. A Kiss Before Dying was turned into a movie twice, first in 1956, and again in 1991. Levin's first produced play was No Time for Sergeants (adapted from Mac Hyman's novel), a comedy about a hillbilly drafted into the United States Air Force that launched the career of Andy Griffith. The play was turned into a movie in 1958, and co-starred Don Knotts. Mr. Levin’s best known play is Deathtrap, which holds the record as the longest-running comedy-thriller on Broadway and brought Levin his second Edgar Award. In 1982, it was made into a film starring Christopher Reeve and Michael Caine. He is the author of the novels turned into films of; Rosemary's Baby, The Boys from Brazil, The Stepford Wives, and Sliver. Stephen King described Ira Levin as "the Swiss watchmaker of suspense novels, he makes what the rest of us do look like cheap watchmakers in drugstores.” Mr. Levin passed away in November of 2007 at the age of 78.

Creative Team (Alphabetically)

Rosemary  Close is part of the creative team

Rosemary Close

Rosemary has been involved in theater in the Valley for over thirty years. Her work dates back as far as the Arizona Contemporary Theater Company, Northwest Studios and the Glendale Little Theater to name a few oldies. Her onstage credits include: Frozen, Harvey, Chapter Two, Barefoot in the Park, Cabaret, The Balcony, The Way We Live Now, Royal Gambit, Loves Scenes from Romeo and Juliet, Reel to Real, The Collected Works of Billy the Kid, The Maids, Skimpies and The Bad Seed. Her recent directing credits include: last season’s Velocity of Autumn and Hughie, previous season’s Grounded and An Almost Holy Picture. In 1991, Rosemary began her longtime association with the New York theater company, Mabou Mines. She appeared in numerous productions with that company both in Phoenix and New York. The highlight of that work with Mabou Mines was a leading role in the multimedia stage production, Wrath of Kali, directed by the award winning and acclaimed, Lee Breuer. Currently, she is the Managing Director for iTheatre Collaborative and is proud to be a part of the impact iTheatre has made in the Phoenix downtown community.

Christopher Haines is part of the creative team

Christopher Haines

Christopher is a theater veteran with over thirty years of experience as an actor, producer, stage manager, writer, director and designer. He graduated in 1991 from Duke University and in 2016 from Arizona State. Directing credits include: (for iTheatre) White Guy on the Bus, A Public Reading of an Unproduced Screenplay about the Death of Walt Disney, A Bad Friend, The Fish Must Die, Molly Sweeney, and Cat’s Paw. As a designer his work includes: Topdog/Underdog, A Raisin in the Sun, Gunplay, Peter Pan and Wendy, The Wizard of Oz, The Colored Museum, The House of Bernarda Alba, and Horn in the West, a 1500-seat outdoor amphitheater in Boone, N.C. In 1994, Mr. Haines collaborated with the internationally acclaimed director, Lee Breuer (founder of Mabou Mines), on his project Wrath of Kali, as the Director of Videography, both in its debut in Phoenix, AZ and in New York. Other design work in video, photography and media includes; the Daniel Lentz Group's “A Crack in the Bell,” such plays as Jack, Reel to Real, Romeo and Juliet, Sweet Thunder, Don't Bother Me, I Can't Cope, and he has worked as the Director of Photography on the feature films Wake of the Hero and Means of Escape and was the production designer for the independent film Hack. In 2002 he co-founded iTheatre Collaborative. His work at iTheatre has garnered national attention and recognition with invited performances at the National Black Theater Festival in Winston-Salem, N.C., the Black Arts Movement Festival in Austin, TX and the Last Frontier Theatre Conference in Valdez, AK. For iTheatre he has produced well-over sixty productions in the Valley with numerous regional and world premieres.

Charles St. Clair

Charles is an interdisciplinary artist with over 400 major productions to his credit in theatre, lm and video. Some directing credits include: By the Way, Meet Vera Stark, Race, Indivisible, August in April, TopDog/UnderDog, Death and the Maiden, The 36th, Underneath the Lintel, Venus, Bee-Luther-Hatchee, The Piano Lesson, A Raisin in the Sun, Mozart’s Opera The Marriage of Figaro, The Impresario, as well as The Three Penny Opera, Faust, Tosca, La Traviata, Carmen and the ve- time ariZoni award winning production of Lady Day at Emerson’s Bar & Grill. Mr. St. Clair was Resident Equity Stage Manager for Burt Reynolds’ Theatre in Jupiter, FL, the Ruth Foreman Theatre in Miami, FL and the North Carolina Shakespeare Festival. He has been a technical director and production manager for over 300 productions and events, including the Closing Ceremonies of the Winter Special Olympics, the Orange and Sun Bowl half time productions and tours to Europe, China, India and the Middle East. He has also had the opportunity of lighting such well-known performers as Liza Minnelli, Barbara Mandrell, Pia Zadora, Alabama, Harry Belafonte and tours of the Broadway shows A Chorus Line, Joseph and the Amazing Technicolor Dreamcoat, Into My Parlor, I’m Not Rapport and Arsenic and Old Lace. Mr. St. Clair presently serves on the faculty of Arizona State University at the West campus where he teaches Acting and Directing and serves as the Technical Director for the Division of Humanities, Arts and Cultural Studies in the New College of Interdisciplinary Arts and Sciences.

About Charles