Company

Hussein Mohamed

Hussein Mohamed

Hussein is a senior at Arizona State University majoring in Interdisciplinary Arts and Performance. He has been the lighting technician for recent shows like Passing Strange, four installments of "Second Stage: One Acts," and many others in the past two years. He would like to thank the rest of the production team for making this a spectacular show.

Credits

Production Team

Permanent Collection

Soon after African-American businessman Sterling North becomes the new director of the Morris Foundation, he discovers that this world-famous art collection includes several significant African sculptures tucked away in storage. His proposal to add them to the public galleries is opposed by the foundation's long-time education director, who is loyal to the idiosyncratic wishes of the late Dr. Morris. Spurred on by a zealous local journalist, this clash quickly escalates to public accusations of racism and a bitter struggle for control of the collection. “Permanent Collection” is a searing examination of racial politics that ultimately asks how much space -- literally and figuratively -- the white world gives to African-Americans. What is the cost of failing to view the world through another's eyes?

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The Effect

Hearts racing. Minds reeling. Knees buckling. Connie and Tristan have palpable chemistry—or is it a side effect of a new antidepressant? They are volunteers in a clinical trial, but their sudden and illicit romance forces the supervising doctors to face off over the ethical consequences of their work. The Effect takes on our pill-popping culture with humor and scintillating drama.

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